Audacity of Hope (A Sermon)

As the congregation joined in, the deacons, then Reverend Wright, appeared beneath the large cross that hung from the rafters. The reverend remained silent while devotions were read, scanning the faces in front of him, watching the collection basket pass from hand to hand. When the collection was over, he stepped up to the pulpit and read the names of those who had passed away that week, those who were ailing, each name causing a flutter somewhere in the crowd, the murmur of recognition. “Let us join hands,” the reverend said, “as we kneel and pray at the foot of an old rugged cross-”
“Yes…”
“Lord, we come first to thank you for what you’ve already done for us…. We come to thank you most of all for Jesus. Lord, we come from different walks of life. Some considered high, and some low…but all on equal ground at the foot of this cross. Lord, thank you! For Jesus, Lord…our burden bearer and heavy load sharer, we thank you….”
The title of Reverend Wright’s sermon that morning was “The Audacity of Hope.” He began with a passage from the Book of Samuel-the story of Hannah, who, barren and taunted by her rivals, had wept and shaken in prayer before her God. The story reminded him, he said, of a sermon a fellow pastor had preached at a conference some years before, in which the pastor described going to a museum and being confronted by a painting titled Hope.
“The painting depicts a harpist,” Reverend Wright explained, “a woman who at first glance appears to be sitting atop a great mountain. Until you take a closer look and see that the woman is bruised and bloodied, dressed in tattered rags, the harp reduced to a single frayed string. Your eye is then drawn down to the scene below, down to the valley below, where everywhere are the ravages of famine, the drumbeat of war, a world groaning under strife and deprivation.
“It is this world, a world where cruise ships throw away more food in a day than most residents of Port-au-Prince see in a year, where white folks’ greed runs a world in need, apartheid in one hemisphere, apathy in another hemisphere…That’s the world! On which hope sits!”
And so it went, a meditation on a fallen world. While the boys next to me doodled on their church bulletin, Reverend Wright spoke of Sharpsville and Hiroshima, the callousness of policy makers in the White House and in the State House. As the sermon unfolded, though, the stories of strife became more prosaic, the pain more immediate. The reverend spoke of the hardship that the congregation would face tomorrow, the pain of those far from the mountain-top, worrying about paying the light bill. But also the pain of those closer to the metaphorical summit: the middle-class woman who seems to have all her worldly needs taken care of but whose husband is treating her like “the maid, the household service, the jitney service, and the escort service all rolled into one”; the child whose wealthy parents worry more about “the texture of hair on the outside of the head than the quality of education inside the head.”
“Isn’t that…the world that each of us stands on?”
“Yessuh!”
“Like Hannah, we have known bitter times! Daily, we face rejection and despair!”
“Say it!”
“And yet consider once again the painting before us. Hope! Like Hannah, that harpist is looking upwards, a few faint notes floating upwards towards the heavens. She dares to hope…. She has the audacity…to make music…and praise God…on the one string…she has left!” People began to shout, to rise from their seats and clap and cry out, a forceful wind carrying the reverend’s voice up into the rafters.

Source: Excerpt taken from book "Dreams from my father" by Barack Obama